2024
Acoustic Territories(The Shoemaker’s Guest)
Situated Listening Modes in an Ecological place
Song of Old Ones
An Ethnography of Chasing the Wind
Soundwalk: A Short Story of the Wind
Land, Ghost and the Rumors(2024)
Into the (re)wild(Essay)
2023
Anthropocene Sonnet
Land, Ghost and the Rumors(2023)
Re-shaping t/dunes(2023)
2022
My Neighbor K; The Peculiar Garden
Moving Air
Re-shaping t/dunes(2022)
Acoustic Territories(Fragile Lines)
2021
Inscription
Listening Performance: Flashback session / The other’s sonic experience; Bus22
2020
Aural Tectonics / Feedback Devices
2018
Fall in/out
Place: ZER01NE Day 2022 <Future Ground>, Seoul
Date: 30/9/2022 - 2/10/2022
Format: Sound Installation
My research covers three main areas.
(a) Research cases of environmental regeneration engineering, such as the Zand Motor (ZM), through collective fieldwork with a variety of participants.
(b) Make an instrument that appropriates the Zand Motor’s mechanism that interacts with real-time moving sand dunes on coastal sides. The instrument is deeply related to Cymatics and is a medium that can reveal the acoustic/musical quality of coastal infrastructures as sonic objects.
(c) Install them on the coasts both of the Netherlands and Korea to investigate communications between human-designed infrastructure and the coastal environment. *These points are addressed through ecological thinking, philosophical speculation, and sound art practice in the context of acoustic ecology and object-oriented ontology.
The principal question that the research aims to answer is: How do coastal infrastructures work as sonic objects, how do these sonic objects reflect and transform the ecological conditions of the local environment, and how can a site-specific musical instrument be designed?
My research set out from the question how sound/music can be more directly related to ecology beyond simply making field recordings of environmental sounds, which are then consumed as an artistic/musical piece. Can sound/music affect ecology and positively contribute to a better ecological environment? Then, I discovered ZM and observed a possible connection between it and Cymatics' artistic experiments utilizing unique acoustic and terrain patterns. Therefore, I wanted to see what kind of sound/music can emerge when sands are moved by natural energy and if I can create an instrument that appropriates ZM’s mechanism that can be played in a site-specific manner.
Talk 1 Video Link: MetaHumanNature
Performance Video:
Adviser : Eric Kluitenberg
Production Adviser : Junsoo Kim
Graphic Design : Handi Kim
Web Programming : Max Baraitser smith
Videographing : Kwan-hee Yoon
Production Assistant : Min-su Kim
3D Simulation : Yu-bin Ahn
Diorama : PCS(Seung-hoon Yoo)
LP Sound Mastering : GODAM
LP Cutting : DeepGrooves Europe
Collaboration : Dey Kim, Kohui, Sunjoo Lee, Han-beom Lee, Hoonida Kim, Armand Lesecq, Þórir Höskuldsson